967869 · 22.1.2.5.6Hexagram 22

Give way. Knowing both.

Line image

With line 2 we feel the quietness of the life force and with line 4 we accept the quietness of the outer world; this is a very gentle tao. While we are identified with feeling this (line 5 is yin) we are not taking the activity into our inner being (line 6), not becoming it, and this makes it a light, superficial experience, but not in any derogatory sense. The common name of the hexagram is “adornment” or “elegance”.

Trigram image

There is a great flow of energy in our outer identity (Chên) which does not reach our inner being (Kên); as intuitive feeling is also active but the life force is hesitant (Li) the activity is centred in our personality or outer showing. The world is quiet (K’an) and so not likely to attract our attention.

The Chinese Oracle

Grace (adornment or elegance). Success.
Advantage is lost if it takes the lead.

Comments

Adornment is the love of little external things, and these are part of the great reality, but when we attach our personality to such things they become important and lead our actions, producing vanity and the superficial in our usual derogatory sense. In this tao the love of the little things can be experienced without this attachment or ownership of them and this is its success.

Manifestations

The pattern
When a wider view prevails,
releasing tension between opposites,
there is a giving away gracefully.
For humans
To give way, to allow passage,
is to know your strength.
not squandering it in small matters.
In nature
The sea moves
under the moon
under the sun
and gains its strength.
In forms we make
Projection of a living self
into form
confuses the flowing field
with the poles.

Changing Lines

Line 1 goes yin

life force shows more change

Our inner being (line 6) does not accept stillness of the life force and we strike out on our own. This individual activity is superficial to the great tao but it is by such action that separate identity exists and learns about its reality.

The Chinese Image
Elegance about the feet.
He leaves the carriage and walks.

Here we direct our caring to finding our own way.

Line 2 goes yang

intuitive feeling less active

Here our feelings about the already silent life force themselves fall silent and this accentuates the outer surface of our reality.

The Chinese Image
He adorns his beard.

The beard is itself nature’s adornment, so here we make more of our outer showing.

Line 3 goes yin

outer world changes more

This tao is full of care for the outside world so increasing our outer activity can be rewarding if it is done with sincerity and respect for this reality.

The Chinese Image
His adornment is moist and glistening.
Great perseverance brings good fortune.

Soft, undemanding, attending to every little detail and adorning it like dew. Perseverance in this assists everything that is there and keeps our acquisitive aspect out of the activity.

Line 4 goes yang

accepting the outer state less

We take our identification away from the outer when we find it unsatisfactory. Here the outer world is inactive and this deprives us of identifications.

The Chinese Image
A white horse with wings.
Not a robber, a suitor.

The silence of the outer world in this tao is not a robber of our identifications as we had thought but an invitation to the recognition of the wholeness of the outer and inner together. White light is the mix of all coloured light and wings are used together; being carried (the horse) by taking both. Only when our identifications are in abeyance can we notice this.

Line 5 goes yang

less awareness of intuition

The feeling of the tao, the love of small outer reality, is now being ignored.

The Chinese Image
Elegance in gardens and hills.
His roll of silk is small and thin.
Humiliation, but good fortune
eventually.

The caring for the gardens and hills is there (in our intuitive feeling) but what we make of it (our roll of silk) is meagre; this limits our participation but the feeling is active (line 2) so there will be joyful participation nevertheless.

Line 6 goes yin

our inner being accepts more

Knowing that the outer and inner are one, we can become involved in the adornment of the outer without narrowing our reality. Then there is no choice to make and this makes our reality simple (It is only choice that complicates it). The inner is constantly flowing into the outer and the outer into the inner and this is the manifestation of the whole in identities; being an identity, when we flow with the tao of the moment we are simply being ourselves.

The Chinese Image
White adornment.
No error.

White is the sum of all coloured light and so is symbolic of the unchosen whole.

Secondary HexagramHexagram 48

Bringing out the life within.

Line image

The structure is centred on the inner life energy, line 1, which is active. Our interest is in this activity, what will it bring? What is there for us to manifest? This interest and our acceptance of outer stillness in line 4 give the flavour of this tao, it is an inner need to experience the life energy itself, not an outer manifestation of it. The common name of the hexagram is “the well”, the water is often deep down in the well and we are trying to reach it.

Trigram image

The life force emerging in the image of Sun means that it cannot flow of itself, however the “outer world” trigram Tui shows a hope of this flow of activity. Identity in the form of the trigram Li approaches this inner task hesitantly and our inner being, our ongoing personal self, receives no energy for change. Yet we note that as the sixth line is yin there is change in our inner being due to this tao.

From the view we have as identity this is a situation where the outcome is still in doubt; there is activity, line 1, or water in the well, and it is recognized in line 6, but can it be reached?

The Chinese Oracle

The well.
A town may be moved but not a well.
A well keeps its level constant.
People come and go drawing water.
If the rope is too short,
or the pitcher is broken,
misfortune.

Comments

The basis of personality (the place of the town) can be changed but the life force is always the same, it is always there but when we cannot reach it we think it has deserted us and cry misfortune. The image of people coming and going to draw water from the well is quite exact, for it is our coming and going in ourselves (the cycles of our manifestation) that draws the life force—manifests it.

Manifestations

The pattern
At the source it is constant,
ready to give forth;
but it clings to its source.
Too gentle to overcome opposition
without help it cannot flow.
For humans
He is shy
yet has much to give.
When persuaded to flow
he nourishes all around him.
In nature
Not all the animals at the water-hole
have means to reach the water,
but nature grows ways
to achieve necessities.
In forms we make
Obtaining water from a well
takes some effort,
some equipment,
some skill.

Changing Lines

Line 1 goes yang

life force shows less change

The ability to tap the life force depends on where we make our reality, where we sink our well; here it dries up, we have exhausted the possibilities of something yet we still expect life-giving energy from it, so it is time to sink a new well, to seek other sources of nourishment for our life.

The Chinese Image
The bottom of the well is mud.
Animals do not go to an old well.

Instead of water there is mud. The well is exhausted and no animals, no manifestation, is refreshed by it. The animals know by instinct, but our own intuitive feeling is inactive and ignored in this tao.

Line 2 goes yin

intuitive feeling more active

Feeling is a flow, and by feeling the life force more in this tao where it is difficult to manifest it we are defining by feeling, creating by feeling. This will create more of our own images and we will not reach the experience of the source which is the quite innocent and inconsequent experience the tao is offering.

The Chinese Image
Fish and hunting at the well-hole.
The pitcher is cracked and leaks.

Fish, our manifestations in the life force or water, are first defined by feeling; we are hunting them with our feeling, trying to find them. The water level has been raised to the surface by our feeling but it becomes filled with our images and our hunting for manifest reality. Our method is not sound so the pitcher is cracked and leaks.

Line 3 goes yin

outer world changes more

Here the life force flows in outer activity, but according to trigram Li of the tao our responses are hesitant and cannot take advantage, cannot see the possibilities so that the inhibitions in the situation are not overcome, but there is the possibility.

The Chinese Image
The well has been cleaned.
No one uses it
which makes my heart sad.
If the king is wise
the people share good fortune.

Access to the water is no longer blocked but we are not tasting it. If the king, our identifying syndrome, were wise it would be shared by the many parts of our identity. The need in this tao is to taste the emerging life force, not to project it outwards.

Line 4 goes yang

accepting the outer state less

We have been concerned with the inactivity of our outer reality (line 3) but now we become unconcerned which gives more energy to the other yin line in our receiving experience, line 6; this is attentive to the life force emerging in line 1, so this movement is turning our attention inward to our reception of the life force.

The Chinese Image
The well is being tiled.
No error.

Line 5 goes yin

more awareness of intuition

Here we are concerned with our quietness of feeling (the yang line 2); we experience it. To experience the existing inner quietness is to experience the inner being as it is.

The Chinese Image
The well water tastes cool
and pure.

This is its natural condition and we taste it, experience it. It is pure because we have not put identifications into it. Here we experience without identifying, and this is what the tao offers.

Line 6 goes yang

our inner being accepts less

Our concern in line 6 of this tao has been to experience the emerging life force because of a lack of flow or a lack of “depth” in our experience. The tao is about not being able to reach this inner depth and here in this moving line the tao is ending so we are no longer concerned because we have “found a way”.

The Chinese Image
The raising of the water
is open to all.
Greatest good fortune.

What has made it difficult to experience the water was a lack of reach and an inability to hold it; our ability to reach the life force depends on our not turning it into something else that we want; our ability to hold it is our ability to hold our own identifying, our own self, empty.

Nuclear HexagramHexagram 40

Release from indecision.

Line image

Here is an absence of direct knowledge of the life force and an absence of interest in the outer world, lines 2 and 4 are yang while all the other lines are yin. Identity is aware of the quiet state of feeling (line 5) so we are not stressed either from inner feeling or outer activities.

Trigram image

The manifesting flow oscillates between K’an and Li and so does not have a direction; however the trigram about the inner being is Chên which has a decisive energy and great flow, this releases us from the indecision we have been in. The common name of the hexagram is “deliverance” or “release”; release comes from separating our being from the seeking and doing that was fuelling the see-saw.

The Chinese Oracle

Release.
The south and west are favourable.
If there is no activity to be accomplished
there is good fortune in returning.
If there is activity unfinished
a speedy end is favoured.

Comments

The south and west is where the sun traverses the sky as it goes from full activity to rest, so completing activity is favoured here if there is still something uncompleted.

Manifestations

The pattern
A new way leads out of
insecurity and vacillation.
Release from indecision.
For humans
Taking both.
Allowing tension through him,
not dodging it,
he comes to decision
and is released.
In nature
Torrential rain—mud.
Baking sun—rock.
Torrents again—mud.
Stress
between earth and heaven
flashes lightning and is no more.
Delicate tendrils, messengers,
can feel their way again.
In forms we make
Uncertainty of direction
is oscillation faster than complete action.
Taking both damps vibrations.

Changing Lines

Line 1 goes yang

life force shows less change

When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.

The Chinese Image
No error.

It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.

Line 2 goes yin

intuitive feeling more active

Greater activity of our intuitive feeling enables us to find direction in the life force.

The Chinese Image
He kills three foxes.
One yellow arrow.
Continuance in the way
brings good fortune.

Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen direction—we have chosen an active direction; this direction is between extremes, being given as “one” which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).

Line 3 goes yang

outer world changes less

To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.

The Chinese Image
Riding in a carriage and carrying property he invites robbers.
Continuance brings misfortune.

We want to be carried yet we do not want to let go; not allowing activity is still controlling it.

Line 4 goes yin

accepting the outer state more

To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.

The Chinese Image
Free yourself from your toes,
then the friend will come with trust.

The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.

Line 5 goes yang

less awareness of intuition

We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.

The Chinese Image
The superior man alone
can free himself.
Good fortune.
Smaller men can only follow.

We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.

Line 6 goes yang

our inner being accepts less

Here identity chooses not to choose, which is release as the stress was in the choice.

The Chinese Image
The prince shoots an arrow,
kills a hawk on a high wall.
All is favourable.

The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.