The tao is about allowing the inner forces to flow as they will, and here the greater activity of the life force may cause us to think we can move (there is some pressure for personal activity).

The danger comes from our not being aware of the wider nature of our circumstances (lines 2 and 6 being yang).

Here we are becoming less involved in, less worried by, the outer inactivity and this has a quietening effect on us.

A headboard over the horns was used to restrain and quieten the bull’s too-high spirits. The image sees this as an advantage to the whole.

This line is our contact with the greater reality that surrounds us, our personal part in it, so this present involvement of our inner being with the greater undistinguished reality is a culmination of the tao.

This is an acceptance of the great tao, it does not invest identity with some power or other but we are open to the inner silence (of the lower half of the hexagram, Ch’ien). In experience this may involve a deep discovery which brings us into deep peace with ourselves, or it may be that we simply feel more in tune.

It is fortunate for our outer state when the life force is manifesting activity, it creates a balance of inner and outer activity so that the outer seems to move of its own accord, at other times we seem to have to push very hard to make the smallest movement. In this line our activity will feel right.

Intuitive feeling is our first activity of distinguishing, we then define an attitude according to the feeling and so distinguish the feeling in terms of mind. It is advantageous in this tao that we should be free of mind attitudes and simply be in the flow, this gives freedom to the magic of the moment.

Tortoise shells are artefacts of magic, and what the tao offers in this line is the magic of the life force providing our feeling with just what it needs. For this to be accepted we need to drop our way of identifying what is happening and then choosing (this is the mode that normally rules us, is our king); if this is not sacrificed the gift is not seen or felt at all. Learning to drop our personal activity takes this long perseverance and is the inner good fortune of the tao.

It is more in tune with this tao to reduce our controlling of activity rather than to reduce the activity itself; our outer experience is food to the inner self. Here we make a move intending to do something about an overactive “I am” but “I am” doing it.

Our seal is that which identifies us and the prince is our identity (the outcome of our ruler which is the identifying process), so here we need to see how we are identifying ourselves, how we are choosing; the middle way is not to choose but to allow.

Here we choose less amongst the strong flow of outer activity which is this tao; it is in keeping with this flow to go with the outer activity but not to manipulate it.

The capital is the seat of government, the chooser, which is sacrificed in this tao to allow the magic of the life force. For symbols of the seal, the prince, and walking in the middle, see line 3.

By accepting direct feeling of the life force we are becoming one with our intuitive feeling of this tao about increase.

Questioning comes from the mind, flow from the feeling. The essence of the flow is to be genuinely in it, we cannot question a flow without stopping it.

This is no time to get involved in inner stillness (line 1 is yang) when we are in a tao of nourishing outer activity.

Here we fail to sacrifice the importance of identifying—we identify in the inner stillness—and we miss the middle path, the non-identified state. By trying first the outer and then the inner as our focus we are not being consistent and nothing is furthered; only a shock will change this cycle of choosing, for it fuels itself, so it is as if someone strikes him.

A change to greater activity of the life force cannot be fully used in this tao where we are without a feeling of it and not identifying in outer action.

She marries but not fully, he can walk but not fully; it is better to have this partial movement than none, it is better to participate in what is on offer than to live in our images of what ought to be on offer.

As the emerging life force is tending to become active in this tao (the trigram Tui) and everything is slow in our outer world, it is natural for our feelings towards activity to turn to this line which feels the life force. Feeling seeks the “other”, something to feel, but in these circumstances there is nothing available so we can only feel our own responses.

Feeling “looks” both inwards and outwards, but here vision is only on offer inwards so continuing in this is the way to proceed.

We do not properly take part in the outer activity of this tao; we long to share but we cannot (sometimes dare not) give ourselves up to it. When the activity decreases we are able to take some part in it, an entrance into a world we wish to share.

A servant does not participate, a concubine does; a servant has separate quarters, a concubine co-inhabits. Here we become a participator, we enter the world of others and our energies have some outlet.

In this moving line we are involved, we are interested or even dedicated to becoming involved; but this tao is a result of a long time of denial of outer flow and of acceptance of inner inactivity, so becoming interested in feelings of flow does not cause a torrent of activity, it prepares for movement.

In this tao we have been accepting that feeling is inactive; here we no longer accept this and so create a mind-feeling, a feeling stimulated by mind rather than the life force.

Our feeling is, in this symbol, the serving maid of our identifying, supplying the experience that is then identified, and this moving line 5 is about what identity does with feeling, how it dresses it up. The emperor is the ruler and our ruler in identity is the identifying process; this dresses up the experience in a way that is less beautiful than its original natural self. But the moon is nearly full, the growth of the feeling influence is waxing and about to reach its full radiance, so this opening to feeling will allow natural feeling to show itself again and this is good fortune.

Here we cease to accept the life force as it emerges into manifestation and act as though we could create activity; but the life force is not active so our actions become gestures only.

In both these images the action of the person is empty, nothing in the basket and no blood in the sheep. Whether we feel (the woman) or try to make identifying nourishment for identity (the man) there is nothing there and no direction we take, no action we make, will produce the result we desire at present. It is something to learn that we are not the creators.